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FOCUS November 2004

Committe Meeting Report - 11th August

The new committee gathered at the Redford's at 7.30pm to review the arrangements for the new Session. The first consideration was to get out to members' the new syllabus, the latest Focus, and the invitation for all previous members to renew their membership. Joyce Streets had printed the syllabus and letters and Bill had printed the August edition of Focus. Treasurer Geoff Robinson, gave us the latest financial position and agreed to follow up the question of insurance for the relevent club items. He reported that £20 had been forwarded to the Poynton Show for the Photographic competition prizes.

Frank Hutchinson detailed the advertizing in hand for the club's series of Digital Sessions. It was agreed that "Course" might be an inappropriate word since it might imply competition with the various college photographic course on offer (some of which might be leading to a qualification). We wanted to encourage participation by newcomers who might be put off by a "Course". It was thought a series of "Digital Forums" was a more encouraging description. Tony and Bill agreed to produce A5 "flyers" which could be circulated and be picked up as reminders by interested bystanders at the Poynton Show, in Libraries, and such places. Tony would also produce a larger, more eye-catching poster to use where appropriate. Since Tony would be absent for the first Digital Forum, Bill Chadband had agreed to do it. This first session, considering aspects of Digital Cameras, would be a bit of an unknown in terms of the mix of abilities or knowledge of the participants. We could learn from it for future sessions. The 2nd session would be based on Computers Monitors and Scanners, and the third on producing Prints the image. This would take us up to Christmas. Sessions thereafter would relate to improving, manipulating, and using the image.

John Coles denied rumours that he wished to replace the Selection Committee by an impartial Computer, but pointed out that there were times, particularly in the Autumn term, when competitions came thick and fast and it was impractical to keep calling a meeting. He would then have to be guided by the marks images had obtained in previous competitions. He was well aware that, depending upon the judges whim, the rank order could change drastically.

John noted that, via Tony, we had accepted the date of 16th February 2005 for the return (10prints + 10slides) battle with Chapel-en-le-Frith Club.

Gordon Robson noted that Tony Pioli would be the judge for our next Annual Exhibition; Mike McNamee would judge the inter-club digital print competition whilst Malcolm Kuss would judge the inter-club slide competition. A proposed speaker for the talk on the Friday had still to be confirmed.

Tony Redford reported that 29 NCPS + 8 South Manchester members had put down deposits for the North vs South battle at Keswick in November.

In Colin's absence President Richard Scaife noted that the Christmas dinner on 14th Dec 2004 was at the Alma Lodge Hotel which was now under new management.

Colin had investigated costs of a possible trip to Rome, which he had discerned was the most generally supported venue for 2005. He had figures for a 7.30am departure from Manchester on Fri 29th April, with a possible return on Bank Holiday Monday evening arriving Manchester 11.oopm. This would give 3 nights and effectively three and a half days in Rome for a cost of £340. Although this was the most favoured option of the three presented, several committee members wondered if we could not go to Spain, or Portugal (Lisbon) more cheaply.

The 2nd half of the meeting was devoted to details of the impending Poynton Show, where we are the official photographers, and Jon Allanson does the judging. Inevitably many members are away and not available for this event. As a result they do not feel that they should be participating in these decisions. It might be more appropriate, in future, to have a special sub-committee of known participants, meeting separately, to agree these details.

Bill Chadband


First Meeting of the New Season

Members gathered in the unfamiliar setting of the Cinema room of the Poynton Community Centre for the meeting on Tuesday 7th September. Inevitably several members were still on holidays but the incentive to attend was the handing in of Prints and Slides for the 1st Quarterly competition. The meeting was the opportunity to try out the Club's Digital projector and ensure that there would be no problems when it came to the Digital course the following month. The Manager rolled down the screen; Tony Redford set up the Projector and Lap-top, and President Richard Scaife welcomed old and new members. Joyce Streets, membership secretary and past President, received membership forms and cheques from those who had remembered to take them along, The programme suggested that members should show images from club outings but this brief was interpreted liberally by several members. Tony and Dorothy showed images from Prague both the actual Prints and Digitally projected versions of the same.

Roy Cheetham produced a DVD show of the Prague visit which took us nicely to the tea break. The Hall Manager laid on the tea/coffee and biscuits- members putting their 50p pieces into the saucer in recompense (so- at these monthly meetings the 50p really is tea money!). In the 2nd half Bill Chadband gave short presentations of his trip to Hunstanton (Norfolk) using Powerpoint, and of his trip to Madeira using Pictures-to-exe. Both presentations had been stored on a 64Mb compact Flash card. Richard Scaife presented images of his trip up the Rochdale canal to the new City stadium. Richard's negatives had been scanned to CD by the developers (Agfa). Brian Turnbull decided to keep his CD of images until a later date, noting that there was a considerable wait whilst the images (in .tiff format) were loaded into the computer. Some prints from the Poynton show were presented on a large board by Jon Allanson. Jill thanked those club members who had been able to support the venture. The slide projector was then set up and slides by several members were shown. The evening finished at about 10.15pm


The 2nd Meeting of the new Session 2004/5

The meeting on 14th September was shared between Stuart Forbes and Colin Pickles.

Stuart spoke of the early history of photography. He was more interested in the people than the technical aspects. His wide-ranging journey took in Alexandria, Constantinople and the Renaissance in Italy. He speculated on how the loss of a knot of wood in the wooden side of a roof-top room, otherwise closed to the midday sun, would have provided the first camera obscura (literally dark chamber). The subsequent pin-hole camera, with tracing paper instead of film would have been the natural progression, and enabled artists to conquer the problem of recession, or perspective. Stuart noted the many attempts to use chemicals to record the image, instead of tracing paper, culminating in the present-day developing and fixing process using silver salts.

After the tea interval Colin shared with us his passion for Scotland. He regularly skied there and had attended photographic courses (on Skye) visiting some of the most photogenic sites. He had images, going back years, showing how the changing weather and seasons affected the look of the place. Colin used images of the Caledonian MacBrayne steamers to punctuate his movement from place to place. He moved regularly around the islands, particularly Skye, and some of us took to trying to count how many steamers MacBrayne really had!

The introductory music, said to be the Skye Boat Song, was unfortunately, too soft to be heard by most of the audience, and would have benefited by being played through the amplification system which Bill had thoughtfully brought along, but which remained unused by either speaker!


Aeroplanes Galore!

Those members with a love of Aeroplane photographs would have been in their element on Friday 17th September, when club member Brian Bower had a one-man show at the Visitor and viewing centre of Manchester airport. Club members had been invited to the preview of the exhibition, and several duly turned up to see Brian's collection which he has built up over the years. My favourite was the action shot of the Concorde just taking off, with the hot air of the jets nicely diffusing the image of the buildings behind. Apparently Brian had been given special permission to get closer than normal.

Besides viewing the exhibition and drinking the wine we were able to move around outside in the warm evening to marvel at the illuminated, sleek, Concorde parked less than 30 metres away. In thanking Brian Director Peter Hampton told us that Brian's was the first one-man show they had attempted. He also noted that Manchester's Concorde would be provided with a Hanger for winter. When asked about insurance for the plane he said it was treated as a work of art, rather than a machine.

Bill Chadband


Optical Illusion?

No not quite but it does seem as if the quarterlies arrive earlier each year. (Of course they don’t it just seems that way.) However entrants were down for Q1 of this season. We were able to include all entries due to a reduced number of entrants presenting compared to Q1 last year. I wonder why? Is it too soon after the holiday break? Did some workers run out of ink? Or (like me) did computer problems limit their ability to get their work done on time? Is it worth the committee discussing juggling the dates around or would we then impact the Annual exhibition?

Once again I was able to get four willing victims as judges. I am keeping my fingers crossed that no-one drops out. ( If no-one does it will be a first for me!! ). The criterion I am adopting is that judges should not have to travel too far but to avoid some-one we have had in the immediate past. This is getting harder as three names from the L&CPU handbook informed me that they had retired from judging. Congleton seemed promising – but no, it was our own Frank Hutchinson; I then had to rule our messseurs Allanson & Redford. But we get there.

On the night John Smith from Rochdale turned up to judge the images "cold" as they say. Gordon Robson was away on holiday. When the judge reached the white card liner at the bottom of the Print Box our observant President noted that the liner was actually Gordon’s print ‘Afternoon Snooze in the Peak District’ upside down! and still snoozing at the bottom of the print box!! Did this influence the judge to give the Aberdeen Angus animal a 20? We shall never know! The only other 20 for print section was George Beaumont’s ‘Wall Pennywort’ which caught the judges eye on the initial run through.

Our President revealed a darker side to his humour with his photos from an execution ( of the hog kind ) Colin caught the judges eye with some right Gaudi piece of work, whilst Jill Hargreaves only print (Salford 2004) encouraged the judge to speak highly of it as being a well executed image of a much photographed local building.

Slide entries were also down so I was able to enter a full complement of 5; (2 of which gained 18. Well done that judge!! ) It is pleasing to think my photography is improving. Now to sort out my printing whoes!!

Tony Redford stumbled on occasion in Prague;and apparently got a passable shot of some old boot (it gave him a 20 with not a cat in sight). Well done Tony. The judges comments on my ‘Talking in the Ranks’ were noted and the image may well turn up as a print at a future showing with composition changes executed.

Colin did well with his ‘Rooftops’, (though you should have changed that chimney pot Mr Pickles!!) In fact many of the images receiving 15+ were marked down for little glitches which the judge felt could have been masked out or could have benefited from a ‘quick fix’ in an imaging software package of well known name.

All in all we had another good start to our quarterly season: a good judge with worth while comments: and a good variety of images to enjoy. Keep it up and please a few more workers for Q2!

John David Coles


First Quarterly Results - 21st Sept 2004

Points Table After 1st Quarterly

Colin Pickles 113
Tony Redford 107
Gordon Robson 105
John Ade 99
George Beaumont 99
Richard Scaife 93
Gerald Hallworth 54
Dorothy Redford 54
Geoff Robinson 53
John Coles 51
Frank Hutchinson 51
Bill Chadband 45
Brian Turnbull 45
Gerald Davey 41
Jill Hargreaves 17

Prints

Zig-Zag Gerald Hallworth 17

You'd better hurry, Mr Photographer Geoff Robinson 17

Woodwind Brass and Piano Accordian John Ade 13

Wastwater View Gordon Robson 15

Wall Pennywort George Beaumont 20

Triumph Roadster Geoff Robinson 16

Thumbergia Gregottii Gordon Robson 13

Through the Gap Bill Chadband 14

The Look Dorothy Redford 16

The Gallery Dorothy Redford 16

The End in Sight Gerald Davey 15

Swans on the Vlatva John Ade 15

St Peter Colin Pickles 20

Sport City Flipside Richard Scaife 14

Something Red George Beaumont 16

Salsa Street Geoff Robinson 19

Salford 2004 Jill Hargreaves 17

Roof Mosaic George Beaumont 16

Reflections on Loughrigg Fell Richard Scaife 13

Reach for the sky - Gaudi style Colin Pickles 19

Prague Panorama John Ade 16

Out of the Tunnel Bill Chadband 17

Oh Lordy, Not again John Ade 19

No. 6 Geoff Robinson 18

Morning Coffee Richard Scaife 14

Mixed Emotions Dorothy Redford 19

Litter Tony Redford 17

Jazz Man, Prague Colin Pickles 19

In the mountains, Madeira Bill Chadband 14

Home James John Ade 14

Golden Reflections Geoff Robinson 14

Fittipaldi Takes the Flag Tony Redford 16

Father Tiber, Adlington Gerald Davey 13

Evening New Lanark Brian Turnbull 16

Drummer Boys Tony Redford 17

Detail of Astronomical Clock Colin Pickles 17

Death Certificate Richard Scaife 13

Dead Boaring Richard Scaife 14

Corridor to Exile, Jewish Museum Brian Turnbull 15

Colour Portrait Tony Redford 19

Chinese Charmers Tony Redford 17

Chapter Hse Steps, Wells Cath. Gerald Hallworth 19

Ceiling of Chapel, Wells Cathedral Gerald Hallworth 16

Byegone Security Gordon Robson 18

Blackwells Shop Gerald Davey 13

Beverley Minster Gerald Hallworth 18

Autumn Tree Brian Turnbull 14

Anemone Hupchensis Dorothy Redford 19

Afternoon Snooze in the Peak District Gordon Robson 20



Slides

Tronso George Beaumont 17

Thereby Hangs a Tale Frank Hutchinson 15

The Cow and the Body shop John Ade 14

Talking in the Ranks John Coles 13

Sunset at Callanish Colin Pickles 13

State Apartments Prague castle Gordon Robson 17

Silver Wings John Ade 17

Rooftops Colin Pickles 19

Redcaps John Ade 18

Polished Tony Redford 20

Peak District Farm Gordon Robson 15

Music Maestros John Coles 14

Midnight Sunset Richard Scaife 17

Marloes George Beaumont 15

Line Up Tony Redford 14

Lighting the Fire Richard Scaife 18

Last Leaves Tony Redford 14

Just Blooming John Coles 15

Jetstream at Ringway Frank Hutchinson 16

Jazz on the Bridge Frank Hutchinson 18

FoxGloves Gordon Robson 19

Fixed Bayonet Colin Pickles 19

Evening Storm Gathering Richard Scaife 15

Distortion Tony Redford 18

Dew Drops John Coles 18

Colours Frank Hutchinson 17

Ceiling Detail, Prague Grotto John Coles 18

Catching the Light Frank Hutchinson 16

Bow Line Colin Pickles 17

Bladder Campion Richard Scaife 15

Billy the Nut Case Richard Scaife 15

Autumn Sun Tony Redford 16

Arctic Architecture George Beaumont 15

A Peaceful Afternoon Gordon Robson 14


Aeroplanes with a Difference!

On Tuesday 28th September Ian Lowe told us about his photographic work with BAE. Having learnt his trade the hard way at Kodak, Ian moved to BAE, initially to Chadderton, then to Woodford. He explained how photography was an important process, both for keeping records and for diagnosing problems during the initial testing of the completed aeroplane. He had been impressed, on moving to Woodford with the amount of detail and care that went into every aspect of the plane's construction and testing. We were shown numerous examples (and wonderful images) of planes going through water pans, or completing braking or take-off tests and diverse range of liveries were illustrated. Through his job Ian had travelled the world for tests in both hot and cold climates. Ian spoke of the need for good test pilots as he hung out of the aircraft held by a harness whilst trying to capture other craft in flight. It was cold up there and if the pilots were not good a lot more time was needed to get the right shots. He speculated as to what might happen in the future now that digital cameras were the vogue and the software made it so easy to 'capture' these flights in the digital darkroom. The talk was a tour de force of photography in the aircraft industry and much appreciated by those members present.

Bill Chadband


Wilmslow Guild Interclub Competition -16th Oct

It was surely an omen that this editor found his way blocked by a great heap of stones when he tried to attend the competition. Conscientiously following the diversion signs we ended up going down Bourne road away from the Guild. This error became plain when we turned onto another (main road) with little chance of turning or reversing. Never mind; go Left, Left, then Right will surely get us back on track. Well it might have done, except for the dead end roads on the way. We crept into the darkened room only five minutes after the start, in the middle of a run-through of the slides, too late to know the owner of the dis-embodied voice reading out the titles, or indeed the name of the judge. The second problem then made itself plain: We could only see the top two thirds of the slides, sitting as we were, four rows back. It was a small comfort that the judge regularly suggested that an image would be improved if the bottom quarter were masked off. How lucky we were to be seeing the slide as the judge intended!.

At half-time, talking to a man called Peter, in the Gents toilet, I discovered that each of the eleven clubs had submitted 7 slides; 3 to be shown in the first half, and 3 in the 2nd half. Apparently competing clubs were to confer at the interval as to which of the 4 slides they would withdraw. At the interval I also found that NCPS had twelve representatives: The Scaife's, the Robson's, the Hutchinsons, the Chadbands, Brian Turnbull andJon Allanson, Jackie and Alan Bromage. But who decided on our slides I never did discover. On the way to tea I spoke to Ian Stewart and as the 2nd half began I was pleasantly surprised to find that Ian was indeed the judge. Throughout the competition I sat next to a charming man called George Higginbottom and basked in reflected glory when, at the end of the contest, George's slide of a Whinchat on his yellow gorse was acclaimed the best slide in the competition. [ How many of you were aware that whin is another name for gorse, or the gorse bush?] Initially Dave Hollows' slide of Venice "After the storm" also scored 15, but pushed to choose a winner, Ian felt obliged to choose the bird.

And what of the Old Boot (highly polished!) I hear you all cry? Well, 20 marks from the last judge somehow turned into 6 from this one. Catching the Rays scored 10; whilst Ceiling Detail, Prague managed 11. At the interval our 27 total only managed to beat Frodsham (26) and Sale (24).

In the 2nd half "Foxgloves" (13), Jazz on the Bridge, Prague (11) and "Midnight Sunset"(10) gave us a grand total of 34, lifting us up to 5th from bottom place. Rumour had it that John Coles was ensconced on his holiday island and therefore untouchable!

Final Table

Altrincham and Hale 66

Sale 62

Chester 71

Stalybridge 57

Frodsham and District 57

Warrington and District 69

Hoylake 70

Warrington PS 58

Mid Cheshire 74

Wilmslow 74

NCPS 61

It transpired that Peter (Gents Loo) was the inspiration for the competition. Thank you Peter!

Bill Chadband


Annual Exhibition, 9 – 11th February 2005

Arrangements are well in hand for the 2005 Annual Exhibition.

Toni Pioli from Sheffield PS is judging members prints and slides; Mike McNamee and Malcolm Kuss (Midland Counties Photographic Federation) are judging the Interclub Digital Print and Slide Knockout Competitions respectively.

Andrew Lounds comes highly recommended by Sheffield PS and is putting on a show on the final evening, “Titanic : The Return of a Dream”. Andrew is an expert on the Titanic as well as being a showman who dresses up for the part (and has props taken from the wreckage). This event should be of great interest to the general public as well as to photographers.

We can expect, as usual, a high level of support from competing clubs who have already been provided with the dates and the details of the competitions.

At the AGM I announced my future retirement as Exhibition Secretary and 2005 will be my swan song. We therefore urgently need a new Exhibition Secretary for 2006 (to shadow me for the forthcoming exhibition) if we are to continue successfully into the future.

The Exhibition Secretary`s job is less arduous than you might suppose in that many of the jobs and responsibilities are taken on by club members and the committee (e.g. organising the two interclub competitions, typing and printing the exhibition catalogue, production and printing of weekly tickets / print entry labels / award certificates). The main task is therefore to coordinate all of these activities and this is now easier as everything is computerised and on a disc. The initial tasks are to organise the venue, the judges and the lectures in good time, (starting in the spring). After this most of the work is telescoped into the interval between the beginning of January and the exhibition itself.

The job of Exhibition Secretary is actually very rewarding.

Those members interested in learning more about the Exhibition with a view to taking over the organisation of the 2006 exhibition please contact me ASAP. Be assured that I myself, the club, and its members, will give you their active support.

Gordon Robson (Exhibition Secretary)


Ray Grover Entertains!

This might well have been the subtitle of Ray's evening, which was more formally entitled "The Digital Projector, its techniques and uses"

Ray began with a general introduction of the two alternative mechanisms behind a Digital Projector - The Texas Instruments DLP (digital light processor) chip, and the Liquid Crystal display panels. It seemed that the LCD approach allowed a brighter image, but the DLP gave a larger contrast ratio. Being basically a simpler system the DLP approach was potentially less likely to go wrong. Ray showed us the test images SMPS had used in comparing the performance of a variety of projectors. As with the NCPS projector, SMPS chose a DLP system with XGA format (1024x768 pixels). He demonstrated the effect of various levels of jpeg compression on a projected image and illustrated the convenience of PowerPoint presentations to the whole club using the Projector.

Computer lessons intended for personal computers are equally accessible to the whole club via the Digital projector. Ray gave us a couple of examples of this; the 2nd one, a fractal evolution was an almost perfect end to the evening. But it was not quite the end. To round off the show Ray illustrated the use of the Projector as Digital cinema.

Altogether a most enjoyable event.

Bill Chadband


To Hell with the President!

To Hell and Back was the intriguing title of Richard's President's address to the assembled multitude. Richard said he would have to introduce himself, whereupon, with great presence of mind Past President Joyce got up; explained that she didn't know who he was but she felt the speaker was a expert in his chosen subject; and she looked forward to hearing what it was!

Richard showed a map of Iceland. The more perspicacious members immediately realised that Hell was somewhere in that frozen land. Apparently our president and his wife had joined a party totalling 44 persons of various nationalities on a bus tour of the Island (Was this Hell?). But, no; this was a bus-tour with a difference - they had to sleep in small ridge tents. Ah! this must surely be the H to which he referred? Apparently not. The Tents were only slightly smaller than the traditional A-shaped, turfed rooved traditional dwellings. Though only just below the Arctic Circle Richard explained that these houses were warm and comfortable. The presentation, a mixture of Digital projector slides and 35mm slides, illustrated the diverse nature of the landscape. There were waterfalls galore; frozen lakes next to pools of hot water; white glaciers and almost black glaciers; grassy areas and great stretches of barren rock. Iceland is dominated by volcanic action. Richard showed slides of the black bubbly lava, and of the many basaltic columns. The coach took 5 hours to travel over the central lava field, with the flat-topped mountain always in view. We were treated to Icelandic horses, both ridden and free, the arctic tern, puffin and golden plover, and on one slide Richard protested that the black spots all over the slide were really the abundant midges. Until he mentioned the midges Richard had convinced most of the audience that they should visit the island. The multi-coloured rocks - some bright red, others bright green from the moss had suggested that Iceland was a photographers paradise. We finally saw the entrance to Hell - a great black volcanic hole in the rocks ringed with a bright red rocky circle. No that wasn't it said Richard. It was five minutes to ten and Richard moved on to the 2nd part of his talk - a visit to Norway Sweden and Finland in search of the midnight sun. A sad realization gradually spread over the faces of the Grapes committee. Of course - Richard had all along been more subtle. "Hell" was not being able to rush off to the grapes at 10.00pm sharp!

The prow of a longboat introduced this section of the talk, followed by a view of Oslo Harbour and the full long boat. Long boats buried 1000 years before had been dug up and put on display in several locations in Norway. These were the real boats - not replicas - and the more exciting because of this. We saw more wonderful views; discovered that the Arctic circle is really a dotted line of white stones, and encountered more midges. But we never got an image of the midnight sun. It appears that their timing was out by about two weeks for this purpose.

But where was Hell? At last we discovered it. Hell is just outside Trondeim and has a convenient post-office!

Richard had clearly put a lot of effort into this presentation and his audience responded accordingly.

Bill Chadband

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